How to Read a Poem
There’s
really only one reason that poetry has gotten a reputation for being so darned “difficult”: it demands your full attention and
won’t settle for less. Unlike a novel, where you can drift in and out and still
follow the plot, poems are generally shorter and more intense, with less of a
conventional story to follow. If you don’t make room for the experience, you probably won’t have one.
But the rewards can be high. To make an analogy with rock and roll, it’s the difference between a two and a half minute pop song with a hook that you get sick of after the third listen, and a slow-building tour de force that sounds fresh and different every time you hear it. Once you’ve gotten a taste of the really rich stuff, you just want to listen to it over and over again and figure out: how’d they do that?
Aside from its demands on your attention, there’s nothing too tricky about reading a poem. Like anything, it’s a matter of practice. But in case you haven’t read much (or any) poetry before, we’ve put together a short list of tips that will make it a whole lot more enjoyable.
But the rewards can be high. To make an analogy with rock and roll, it’s the difference between a two and a half minute pop song with a hook that you get sick of after the third listen, and a slow-building tour de force that sounds fresh and different every time you hear it. Once you’ve gotten a taste of the really rich stuff, you just want to listen to it over and over again and figure out: how’d they do that?
Aside from its demands on your attention, there’s nothing too tricky about reading a poem. Like anything, it’s a matter of practice. But in case you haven’t read much (or any) poetry before, we’ve put together a short list of tips that will make it a whole lot more enjoyable.
- Follow Your Ears. It’s okay to ask, “What does it mean?” when reading a poem. But
it’s even better to ask, “How does it sound?” If all else fails, treat it
like a song. Even if you can’t understand a single thing about a poem’s
“subject” or “theme,” you can always say something – anything – about the
sound of the words. Does the poem move fast or slow? Does it sound awkward
in sections or does it have an even flow? Do certain words stick out more
than others? Trust your inner ear: if the poem sounds strange, it doesn’t
mean you’re reading it wrong. In fact, you probably just discovered one of
the poem’s secret tricks!
- Read It Aloud. OK, we’re not saying you have to shout it from the rooftops. If
you’re embarrassed and want to lock yourself in the attic and read the
poem in the faintest whisper possible, go ahead. Do whatever it takes,
because reading even part of poem aloud can totally change your
perspective on how it works.
- Become an Archaeologist. When
you’ve drunk in the poem enough times, experiencing the sound and images
found there, it is sometimes fun to switch gears and to become an
archaeologist (you know -- someone who digs up the past and uncovers
layers of history). Treat the poem like a room you have just entered.
Perhaps it’s a strange room that you’ve never seen before, filled with
objects or people that you don’t really recognize. Maybe you feel a bit
like Alice in Wonderland. Assume your role as an
archaeologist and take some measurements. What’s the weather like? Are
there people there? What kind of objects do you find? Are there more verbs
than adjectives? Do you detect a rhythm? Can you hear
music? Is there furniture? Are there portraits of past poets on the walls?
Are there traces of other poems or historical references to be found? Check
out “Setting,” “Symbols, Imagery,
Wordplay,” and “Speaker” to help
you get started.
- Don’t Skim. Unlike the newspaper or a textbook, the point of
poetry isn’t to cram information into your brain. We can’t repeat it
enough: poetry is an experience. If you don’t have the patience to get
through a long poem, no worries, just start with a really short poem.
Understanding poetry is like getting a suntan: you have to let it sink in.
When you glance at a “Detailed Summary,” you’ll see just how loaded each
line of poetry can be.
- Memorize!
“Memorize” is such a scary word, isn’t it? It reminds us of multiplication
tables. Maybe we should have said: “Tuck the poem into your snuggly
memory-space.” Or maybe not. At any rate, don’t tax yourself: if you
memorize one or two lines of a poem, or even just a single cool-sounding
phrase, it will start to work on you in ways you didn’t know possible.
You’ll be walking through the mall one day, and all of a sudden, you’ll
shout, “I get it!” Just not too loud, or you’ll get mall security on your
case.
- Be Patient.
You can’t really understand a poem that you’ve only read once. You just
can’t. So if you don’t get it, set the poem aside and come back to it
later. And by “later” we mean days, months, or even years. Don’t rush it.
It’s a much bigger accomplishment to actually enjoy a poem than it
is to be able to explain every line of it. Treat the first reading as an
investment – your effort might not pay off until well into the future, but
when it does, it will totally be worth it.
- Read in Crazy Places. Just like music, the experience of poetry
changes depending on your mood and the environment. Read in as many
different places as possible: at the beach, on a mountain, in the subway.
Sometimes all it takes is a change of scenery for a poem to really come
alive.
- Think Like a Poet. Here’s a fun exercise. Go through the poem one line at a time, covering up the next line with your hand so you can’t see it. Put yourself in the poet’s shoes: If I had to write a line to come after this line, what would I put? If you start to think like this, you’ll be able to appreciate all the different choices that go into making a poem. It can also be pretty humbling . Soon, you’ll be able to decipher a T.S. Elliot poem from a Wallace Stevens poem, sight unseen. Everyone will be so jealous.
- “Look Who’s Talking.” Ask
the most basic questions possible of the poem. Two of the most important
are: “Who’s talking?” and “Who are they talking to?” If it’s a Shakespeare
sonnet, don’t just assume that the speaker is Shakespeare. The speaker of
every poem is kind of fictional creation, and so is the audience. Ask yourself:
what would it be like to meet this person? What would they look like?
What’s their “deal,” anyway?
- And,
most importantly, Never
Be Intimidated. Regardless of
what your experience with poetry in the classroom has been, no poet wants
to make his or her audience feel stupid. It’s just not good business, if
you know what we mean. Sure, there might be tricky parts, but it’s not
like you’re trying to unlock the secrets of the universe. Heck, if you
want to ignore the “meaning” entirely, then go ahead. Why
not?
Poetry is about freedom and exposing yourself to
new things. In fact, if you find yourself stuck in a poem, just remember
that the poet, 9 times out of 10, was a bit of a rebel and was trying to make
his friends look at life in a completely different way. Find your inner rebel
too. There isn’t a single poem out there that’s “too difficult” to try out –
right now, today. So hop to it.
Acknowledgement
Amanda Mabillard
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